Final Cut Express 2: Interface explained

Whether you’re new to editing, new to Final Cut Express, or simply new to version 2, it’s well worth taking your time to get to know the program before you fling yourself headfirst into editing with it.

Those fearful of change will be pleased to see that the program is still laid out in the same way and, as befits its pedigree, Express now has even more high-end features borrowed from big bro Apple app, Final Cut Pro. It’s not just Pro that Express is close to, though – increased compatibility with other programs is one of the improvements. This means you can now export markers to programs like DVD Studio Pro and Soundtrack. Adobe Photoshop is another program that Express is happy to play with, and you can even edit PSD layers individually if you want to add graphic elements to your movies.

Improvements to the ‘Capture’ window can also be found in version 2, so not only are more camcorders compatible with the program, you can also capture over breaks in the timecode. The other major improvements come in three categories: real-time editing, interface tweaks and audio capabilities. Read on, as we first show you how Final Cut Express cuts your render time and allows you to better organise your project, and then turn to the following pages to delve into its all-new audio possibilities.

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